Imagining a Free Body: Feminist Artistic Eruptions in Latin America. The example of Cosas de Mujeres and Un violador en tu camino
DOI:
https://doi.org/10.15648/cl..38.2023.4039Keywords:
Cine Mujer, LASTESIS, Latin America, contemporary feminist art, reproductive and sexual rightsAbstract
This article proposes a qualitative analysis of feminist art in the rejection of the ideological naturalization of the female body. Through the examination of two artistic works, the film 'Cosas de Mujeres' (1978) and the performance 'Un violador en tu camino' (2019), the aim is to comprehend the role of feminist arts as political practices and the position of feminisms within artistic endeavours produced specifically in Latin America.
References
Aceves, G. (2013). "¿Cosas de Mujeres?": Feminist Networks of Collaboration in 1970s Mexico. Artelogie, 5. Acedido em: https://doi.org/10.4000/artelogie.5618
Bakshi, S.; Bacchetta, P. & Jivraj, S. (2020). Decolonial Sexualities: Paola Bacchetta in conversation with Suhraiya Jivraj and Sandeep Bakshi. Interventions: International Journal of Postcolonial Studies, 22(4), 574-585. Acedido em: https://doi.org/10.1080/1369801X.2020.1749710
Butler, J. (2002). Bodies and power, revisited. Radical Philosophy. Acedido em: https://www.radicalphilosophy.com/article/bodies-and-power-revisited
Butler, J. (2017). Gender trouble. Lisboa: Orfeu Negro
Center for Reproductive Rights (2020). They are girls: Reproductive rights violations in Latin America and The Caribbean. Center for Reproductive Rights. Acedido em: https://reproductiverights.org/wp-content/uploads/2020/12/20190523-GLP-LAC-ElGolpe-FS-A4.pdf
Deutscher, P. (2017). Foucault's Futures: A Critique of Reproductive Reason. Nova Iorque: Columbia University Press
Ergas, Y. (1991). O sujeito mulher. O feminismo dos anos 1960-1980. In F. Thébaud (org.) História das Mulheres no Ocidente, Vol. 5: O século XX (579–607). Porto: Edições Afrontamento
Federici, S. (2020). Beyond the Periphery of the Skin: Rethinking, Remaking, and Reclaiming the Body in Contemporary Capitalism. Toronto: BTL Books
Federici, S. (2022). Re-enchanting the World: Feminism and the Politics of the Commons. São Paulo: Editora Elefante
Ferrer, L., C. (2023) Reproductive rights, othered women, and the making of feminist documentary in Latin America, Feminist Media Studies, 23(4), 1512-1525. Acedido em: https://doi.org/10.1080/14680777.2022.2027803
Fonow, M. &, Cook, J. (2005). Feminist Methodology: New Applications in the Academy and Public Policy. Signs, 30(4), 2211–2236. Acedido em https://doi.org/10.1086/428417
Foucault, M. (1999). Terceira Parte: Disciplina. In Vigiar e Punir: Nascimento da Prisão. Petropólis: Editora Vozes
Gago, V. (2020). Feminist International: How to Change Everything. Londres: Verso Books
Grosz, E. (2011). Corpos-cidades. cidade e o corpo. In A. G. Macedo e F. Rayner (Orgs.), Género, Cultura Visual e Performance: Antologia Crítica (89–100). Ribeirão: Edições Húmus
Haraway, D. (1988). Situated Knowledges: The Science Question in Feminism and the Privilege of Partial Perspective. Feminist Studies, 14(3), 575–599. Acedido em: http://www.jstor.org/stable/3178066
Hatuka, T. (2020). The Design of Protest: Choreographing Political Demonstrations in Public Space. Texas: University of Texas Press. Acedido em: https://doi.org/10.7560/315767
Hooks, B. (1989). Choosing the Margin as a Space of Radical Openness. Framework, 36. Acedido em: https://doubleoperative.files.wordpress.com/2009/12/hooks-bell-choosing-the-margin.pdf
Kumar, A. & Mitchell, E. M. H. (2009). Conceptualizing Abortion Stigma. Culture Health & Sexuality, 11(6), 625—639. Acedido em: https://doi.org/10.1080/13691050902842741
LASTESIS. (2021). Quemar el miedo. Un manifiesto. Barcelona: Editorial Planeta Mexicana
Mayer, M. (n/d). Predomina el síndrome de "juntas y agarraditas de la mano" - Las exposiciones de mujeres artistas: del vigor de los 70"s y 80"s al vergonzoso retroceso de finales de milénio. La Jornada. Acedido em: https://bit.ly/3JIb7sr
Oroz, E. (2020). El cine como herramienta contra-ideológica. Prácticas y estéticas del colectivofeminista Cine Mujer (1975-1981). Em Atas do IX Encontro Anual da AIM (233-243). Lisboa: AIM. Acedido em: https://bit.ly/3GiWyeO
Pollock, G. (2008). Vision and Difference: Feminism, femininity and the histories of art. Oxfordshire: Routledge
Rich, A. (1986). Notes toward a Politics of Location. In Blood, Bread and Poetry, 210–231. W.W. Norton
Rojas, I. C. (2020). Usos políticos de las sonoridades y performances andinas en Santiago de Chile post 18 de octubre de 2019. Boletín Música, nº 54. (53-69)
Rosa, M. L. (2021, Septembro 10). Activism and collaborative strategies for latin american women artists. AWARE. Acedido em: https://awarewomenartists.com/en/magazine/activisme-et-strategies-collaboratives-entre-artistes-latino-americaines-estado-de-emergencia-etat-durgence-mexico-2018-et-maternidades-en-tension-maternites-en-tension-buenos-ai/
Shapiro, R. (2007). O que é artificação?. Sociedade e Estado, 22(1), 135–151. Acedido em: https://doi.org/10.1590/S0102-69922007000100006
Sotto, C. I. (2020). Protestas en el espacio publico como performance. In Campos C. J. (Ed). Valdívia Presente (102-105). Núcleo Milenio Arte Performatividad y Activismo NMAPA. Acedido em: https://nmapa.cl/libros/valdivia-presente/
Tavares, G. M. (2019). O Corpo no Corpo. In Atlas do Corpo e da Imaginação: Teoria, Fragmentos e Imagens, 181–357. Relógio D’Água
Bakshi, S.; Bacchetta, P. & Jivraj, S. (2020). Decolonial Sexualities: Paola Bacchetta in conversation with Suhraiya Jivraj and Sandeep Bakshi. Interventions: International Journal of Postcolonial Studies, 22(4), 574-585. Acedido em: https://doi.org/10.1080/1369801X.2020.1749710
Butler, J. (2002). Bodies and power, revisited. Radical Philosophy. Acedido em: https://www.radicalphilosophy.com/article/bodies-and-power-revisited
Butler, J. (2017). Gender trouble. Lisboa: Orfeu Negro
Center for Reproductive Rights (2020). They are girls: Reproductive rights violations in Latin America and The Caribbean. Center for Reproductive Rights. Acedido em: https://reproductiverights.org/wp-content/uploads/2020/12/20190523-GLP-LAC-ElGolpe-FS-A4.pdf
Deutscher, P. (2017). Foucault's Futures: A Critique of Reproductive Reason. Nova Iorque: Columbia University Press
Ergas, Y. (1991). O sujeito mulher. O feminismo dos anos 1960-1980. In F. Thébaud (org.) História das Mulheres no Ocidente, Vol. 5: O século XX (579–607). Porto: Edições Afrontamento
Federici, S. (2020). Beyond the Periphery of the Skin: Rethinking, Remaking, and Reclaiming the Body in Contemporary Capitalism. Toronto: BTL Books
Federici, S. (2022). Re-enchanting the World: Feminism and the Politics of the Commons. São Paulo: Editora Elefante
Ferrer, L., C. (2023) Reproductive rights, othered women, and the making of feminist documentary in Latin America, Feminist Media Studies, 23(4), 1512-1525. Acedido em: https://doi.org/10.1080/14680777.2022.2027803
Fonow, M. &, Cook, J. (2005). Feminist Methodology: New Applications in the Academy and Public Policy. Signs, 30(4), 2211–2236. Acedido em https://doi.org/10.1086/428417
Foucault, M. (1999). Terceira Parte: Disciplina. In Vigiar e Punir: Nascimento da Prisão. Petropólis: Editora Vozes
Gago, V. (2020). Feminist International: How to Change Everything. Londres: Verso Books
Grosz, E. (2011). Corpos-cidades. cidade e o corpo. In A. G. Macedo e F. Rayner (Orgs.), Género, Cultura Visual e Performance: Antologia Crítica (89–100). Ribeirão: Edições Húmus
Haraway, D. (1988). Situated Knowledges: The Science Question in Feminism and the Privilege of Partial Perspective. Feminist Studies, 14(3), 575–599. Acedido em: http://www.jstor.org/stable/3178066
Hatuka, T. (2020). The Design of Protest: Choreographing Political Demonstrations in Public Space. Texas: University of Texas Press. Acedido em: https://doi.org/10.7560/315767
Hooks, B. (1989). Choosing the Margin as a Space of Radical Openness. Framework, 36. Acedido em: https://doubleoperative.files.wordpress.com/2009/12/hooks-bell-choosing-the-margin.pdf
Kumar, A. & Mitchell, E. M. H. (2009). Conceptualizing Abortion Stigma. Culture Health & Sexuality, 11(6), 625—639. Acedido em: https://doi.org/10.1080/13691050902842741
LASTESIS. (2021). Quemar el miedo. Un manifiesto. Barcelona: Editorial Planeta Mexicana
Mayer, M. (n/d). Predomina el síndrome de "juntas y agarraditas de la mano" - Las exposiciones de mujeres artistas: del vigor de los 70"s y 80"s al vergonzoso retroceso de finales de milénio. La Jornada. Acedido em: https://bit.ly/3JIb7sr
Oroz, E. (2020). El cine como herramienta contra-ideológica. Prácticas y estéticas del colectivofeminista Cine Mujer (1975-1981). Em Atas do IX Encontro Anual da AIM (233-243). Lisboa: AIM. Acedido em: https://bit.ly/3GiWyeO
Pollock, G. (2008). Vision and Difference: Feminism, femininity and the histories of art. Oxfordshire: Routledge
Rich, A. (1986). Notes toward a Politics of Location. In Blood, Bread and Poetry, 210–231. W.W. Norton
Rojas, I. C. (2020). Usos políticos de las sonoridades y performances andinas en Santiago de Chile post 18 de octubre de 2019. Boletín Música, nº 54. (53-69)
Rosa, M. L. (2021, Septembro 10). Activism and collaborative strategies for latin american women artists. AWARE. Acedido em: https://awarewomenartists.com/en/magazine/activisme-et-strategies-collaboratives-entre-artistes-latino-americaines-estado-de-emergencia-etat-durgence-mexico-2018-et-maternidades-en-tension-maternites-en-tension-buenos-ai/
Shapiro, R. (2007). O que é artificação?. Sociedade e Estado, 22(1), 135–151. Acedido em: https://doi.org/10.1590/S0102-69922007000100006
Sotto, C. I. (2020). Protestas en el espacio publico como performance. In Campos C. J. (Ed). Valdívia Presente (102-105). Núcleo Milenio Arte Performatividad y Activismo NMAPA. Acedido em: https://nmapa.cl/libros/valdivia-presente/
Tavares, G. M. (2019). O Corpo no Corpo. In Atlas do Corpo e da Imaginação: Teoria, Fragmentos e Imagens, 181–357. Relógio D’Água
How to Cite
Melo, T. . (2024). Imagining a Free Body: Feminist Artistic Eruptions in Latin America. The example of Cosas de Mujeres and Un violador en tu camino. Cuadernos De Literatura Del Caribe E Hispanoamérica, (38), 93–107. https://doi.org/10.15648/cl.38.2023.4039
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2024-05-06
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