The layers of reality in Apocalypse Now

Authors

  • Diego Valbuena Martón Universidad del Atlántico

Keywords:

aesthetics, film, layers, Hartmann, Apocalypse Now
Abstract References How to Cite Downloads

Abstract

The German philosopher Nicolai Hartmann, one of the most prolific of the 20th century (his work encompasses aesthetics, ontology and ethics) proposes at the core of his ontological theory the stratification of reality: the “real world” is constituted in dif ferent layers of consistency of being that range from the material to the symbolic levels. This article investigates the work of art as a layered complex and presents the plot relationship between the dif ferent layers through the first sequence of the film Apocalypse Now (F. Ford Coppola, 1979).

References

Aristóteles (S/F) Poética. Fondo Blanco Editorial.
Claramonte, Jordi (2021). Estética Modal. Libro Segundo. Madrid, Tecnos.
Copland, Aaron (1994). Cómo escuchar la música. México D. F., FCE.
López Eire, Antonio (2001) .“Reflexiones sobre la Poética de Aristóteles”,En: Revista Hvmanitas, 53. 183-216.
Lukacs, Georg (1966). La peculiaridad de lo estético. Vol II. Traducción de Manuel Sacristán. México D.F.: Grijalbo
Valbuena Martón, Diego Ángel (S/F). El bullerengue: estética y ontología. Tesis doctoral. Director: Jordi Claramonte Arrufat. Universidad Nacional de Educación a Distancia.

How to Cite

Valbuena Martón, D. (2023). The layers of reality in Apocalypse Now. βeta - Revista Digital De Arte, 1(1), 31–40. Retrieved from https://revistasuniatlanticoeduco.biteca.online/index.php/Beta/article/view/4137

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Published

2023-01-01

Issue

Vol. 1 No. 1 (2023): βετα. Revista digital de arte

Section

SUMARIO